This post is by Joel Benjamin What became clear over the course of the four performances under review attended were the subtle changes in Mr. Taylor's work over the years, how his works have become less deep and more oddball. This was a terrific way to see everything from his delightfully lovely "white" ballet, "Aureole" (1962), to his most recent opus, "Death and the Damsel," a dark, distorted"sadistic, even"view o…
SOURCE: www.theaterscene.net at 03:38PM on April 4, 2015