Anyone who knows me will tell you that as a critic and sometime creator of mixed-disciplinary performance, I have a particular proclivity for highly experimental theatrical works and perhaps especially combinations of contemporary dance-theatre from Japan and other parts of Asia. So why, I must ask, did Miwa Yanagi's "Zero Hour:Tokyo Rose's Last Tape" leave […] The post Zero Hour: Tokyo Rose’s Last Tape a…
SOURCE: DC Theatre Scene at 08:39AM on February 10, 2015