SWEET The new Odyssey production greatly benefits from the thoughtfulness behind director Kim Rubinstein's often searing images. Physically, it's a great watch. Wilson Chin's zen-minimal set, surrounded on three sides by water, floats in copious machine-made fog that I found pleasing (though I overheard two complaints, one stylistic, one of eye irritation). Michael Gend's lighting […]
SOURCE: Bitter Lemons at 06:11PM on January 27, 2015