When I wrote this cover story for American Theatre, about how the presence of composer/musicians within their own theater pieces showed hope of changing and revivifying musical theater, I was thinking of largely narrative pieces like Passing Strange or Striking 12 or Futurity or even Natasha, Pierre and the Great Comet of 1812--most of which could be done, and some of which have been don…
SOURCE: The Wicked Stage at 11:31AM on December 11, 2014