John Fleck is a name out of the theater and performance studies history books for me: one of the (in)famous “NEA Four” whose performance art grants were vetoed for “indecent” content in June 1990. I was 3 years old. When Karen Finley, John Fleck, Holly Hughes, and Tim Miller took their case to court and regained their funding [...]
SOURCE: Compositions on Theater at 03:00PM on July 16, 2011