That politically ambitious spitfire Evita and her crocodile tears have returned, and her reappearance at the Kennedy Center's Opera House is magisterial. The settings around her are stately. The tangos are sharp. The performances have a compelling edge and gleam. All that's lacking to make the famed 1978 Andrew Lloyd ÂWebber-Tim Rice musical roar fully to life is a shot or two of crazy. Read full article >>…
SOURCE: Washington Post at 11:33PM on October 2, 2014