Old Red Lion, London: Miran Hadzic's play begins promisingly enough. Ridley Smith is a sharply suited businessman, whose increasing disillusionment with his life and job is intensified after meeting Stewart Lockwood's street artist Freddie, a man who doesn't appear to need much in the way of possessions and seems content to sit and sketch and roam. Inspired and disheartened by the uncaring nature of th…
SOURCE: The Stage at 08:59AM on September 25, 2014