Without being showy, the transition packs a punch. About halfway through No Rules Theatre Company's absorbing production of August Wilson's "Seven Guitars," a rapt attentiveness descends on an urban backyard. It is 1948 and a small crowd of Pittsburgh residents has gathered to hear the radio broadcast of Joe Louis's latest boxing match. As the announcer speaks, the scene encompasses both overall stillness and bits of…
SOURCE: Washington Post at 02:39PM on September 17, 2014