Nassim Soleimanpour, or at least the voice coming from the dictaphone claiming to be him, is going blind. He seems calm about it. His play is an attempt to make the audience experience what he is going through. “Who's there? You're listening to my voice,” he says. His directness, his engagement with the audience turn... Read more → The post Edinburgh Review: Blind Hamlet, Assembly Roxy appeared fi…
SOURCE: A Younger Theatre at 10:38AM on August 5, 2014