(Best of the Capital Fringe) Who, indeed, has come to play? Five women in ten choreographic (no less compelling, for being non-cinematic) captures, their bodies conveying emotional captures that, as stated so well in the program, "draw the emotions of the audience into the rhythm and energy of the dance." With no small appreciation due […] The post Capital Fringe 2014 Review: ‘We've Come to Play&#…
SOURCE: DC Metro Theater Arts at 04:03PM on July 13, 2014