In regards to
SLM's writing in this week's LAWeekly, part of me feels like we've gone over all this before, as I mentioned in the earlier post. My perspective on it has changed somewhat, which is definitely something I can write about.I think it's self-evident to anyone who follows trends in American playwriting that there's a very small, constantly shifting list of who's hot and who's getting all the grants/fellowships/commissio…