Kathleen Cahill's "Charm" takes a rosy view of the early American feminist Margaret Fuller and her appealing play floats. Howard Brenton's "Bloody Poetry" delves into the romantic visions of British figureheads Lord Byron, Percy Bysshe Shelley and Mary Shelley going to pot, and it's an emotional slugfest. Read full article >>
SOURCE: Washington Post at 11:49AM on May 14, 2014