By Tiffany Antone. I think, rather, that playwrights readily turn over the fate of their work to these committees and power-players, simply because that is the way it's been done for so long that anything else feels strange. A playwright wants to get produced, after all" and other writers traditionally aren't the ones assigning production budgets. But this can change.
SOURCE: HowlRound at 04:52PM on May 8, 2014