From the very beginning of the Roundabout's re-revival of "Cabaret," when a spotlight first illuminates Alan Cumming's eyes — as if he has opened the rectangular slot in the door of a speakeasy deciding whether to let us in — and then switches focus to his beckoning hand, Cumming's sensuous, sinuous, insinuating performance has us […]
SOURCE: New York Theater at 10:01AM on May 1, 2014