After Dark, April 8, 2014
The Music of the NightPolitesse and fluidityby Gaëtan L. CharleboisWhen the Fringe movement was beginning we all thought it would be a free-for-all. But it would not just be theatre itself breaking out, but - we thought - so would the audience. We fully expected in the first years audiences would express their delight and dismay ostentatiously: boo, hiss, walk out during the play (which often meant across the stag…