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World Stages Festival: 'La Muerte,' 'Incendios' and the aftermath of national tragedy by Celia Wren

It's an unsettling moment of intimacy. As a terrified, gagged man sits, tied to a chair, his captor " a fragile-looking, gun-toting brunette " pulls up a seat at his side, so near that their bodies touch. "We're rather cozy here, aren't we, like this?" she muses quietly. "Like two old pensioners sitting on a bench in the sun." For the first time in 15 years, the woman named Paulina is physically close to the man who …

SOURCE: Washington Post at 05:43PM on March 16, 2014

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