Fragonard's The Lover Crowned.Boston Baroque made love and war last weekend, with a mostly sparkling program that yoked together that perennial odd couple, Venus and Mars - or at least their equivalents from the French baroque: Charpentier's martial Te Deum and Rameau's romantic La Guirlande (The Garland) - with an orchestral suite by the same composer serving as a pillowy buffer between them.First came Cha…
SOURCE: The Hub Review at 12:03PM on February 22, 2014