For a documentary subject as forceful as Elaine Stritch, filmmakers may need to turn to nature - a typhoon might do it - to find anything approximate. Even the camera must warily keep its distance in "Elaine Stritch: Shoot Me." She warns its operator when he gets too close: "I don't know whether this is a skin commercial, or what."...
SOURCE: Associated Press at 08:47PM on February 18, 2014