Sensationalism and the avant-garde: A match made in heaven? It was certainly a match made in Brazil in 1943. That year saw the premiere of Nelson Rodrigues's "The Wedding Dress," a drama that played fast and loose with space, time and levels of reality while touching on murder, adultery, conspiracy, prostitution and other juicy topics. A piece of formal experimentalism that a tabloid headline writer could love, "The …
SOURCE: Washington Post at 05:39PM on February 17, 2014