Thinking versus feeling, politics versus pathos, pleasure versus instruction"these dialectics often arise in discussing Bertolt Brecht's revolutionary "epic theatre", and the idea that these qualities exist in opposition feeds the common perception that Brecht belongs to the canon of "important" artists who offer little in the way of entertainment, and whose works we must suffer […]The post Turner triumphs as M…
SOURCE: DC Theatre Scene at 11:58AM on February 11, 2014