We first see the bank clerk, who can't bear his dull life, serving behind the cashier's till, like an automaton. In Melly Still's hugely inventive, visually stunning multimedia production of From Morning to Midnight " Georg Kaiser's fearlessly weird German Expressionist drama from 1912 " Adam Godley's Clerk starts out as a desiccated nonentity, nose to the grindstone.read more
SOURCE: The Arts Desk at 07:19PM on December 8, 2013