Olivier, National, London: Bunny Christie's designs, with their deep black, angular shapes, lamp posts and reversible flats pushed downstage, make imaginative use of the Olivier's vast playing space as the story unfolds, complete with grainy projection, of the 1920s German lad whose money was stolen in a train to Berlin. Gradually he assembles a team of 50 child-detectives to catch the thief. Read the full …
SOURCE: The Stage at 06:10AM on December 5, 2013