Beethoven’s only opera, first performed in 1805 at the Theater an der Wiem in Vienna, Fidelio has certainly stood the test of time. In this, Calixto Bieito’s second adaption and first for ENO, a thoroughly modern and psychological visionary spectacle has been adopted, casting aside Beethoven’s own conventional account. Rebecca Ringst’s set design is simple; […]The post Review: Fidelio ap…
SOURCE: A Younger Theatre at 07:22AM on September 29, 2013