(2/5 stars) What might now be called ‘cabaret’ was a very different experience in 1890s France. Forget raunchy repartee, damaged divas and any trace of glitter " Nathalie Joly’s Je ne sais quoi, a loving homage to La Belle Epoque’s then-legendary cafe concert artiste Yvette Guilbert, is all wide eyes, quick winks and slowly lifted […]The post Edinburgh Fringe Review: Je ne sais quoi appe…
SOURCE: A Younger Theatre at 07:34AM on August 27, 2013