(3/5 stars) Hovering somewhere between rehearsal and the real thing, between table read and tech-run, Michael Pinchbeck’s The Beginning is an intricate and quietly compelling deliberation on what it means to be on stage, in front of the audience, at the beginning of a show. In this deconstructed performance piece, love at first sight " […]The post Edinburgh Fringe Review: The Beginning appeared first on A…
SOURCE: A Younger Theatre at 09:59PM on August 21, 2013