The Killing‘s third season proved a terrific corrective to the flabby, rainy, interminable, "Who killed Rosie Larson?" affair of its first two.  With a taut story-line and ever-deepening lead performances, show-runner Veena Sud proved she could create a moody, suspenseful, character-driven series without resorting to a rain machine. [Spoiler alert!!] This season's story focuses on a [...]
SOURCE: The Feminist Spectator at 08:36PM on August 7, 2013