So here's the thing about Diane Paulus and how she directs musicals: She takes song-driven, narrative-lite titles like Hair and Pippin and makes them practically irresistible. She's very good at creating a sense of on-stage community, in which actors seem to be having a great deal of fun, as themselves as well as the characters, [...]
SOURCE: The Feminist Spectator at 08:55AM on June 25, 2013