Sadler's Wells, London: PUZ/ZLE opens with a digital projection on a stone wall of an empty art gallery, the camera gliding through never-ending doorways as Cherkaoui's dancers, in real-time, are drawn towards the projection. They, of course, cannot pass through the image and so begin shunting into the wall, like flagrantly docile insects repeatedly slamming into a closed window. Read the full review
SOURCE: The Stage at 09:01AM on April 25, 2013