That Fiona Shaw is a force of nature is indisputable. As a very human Virgin Mary in playwright Colm Tóibín’s 90-minute monologue “The Testament of Mary,” Shaw prowls about Tom Pye’s object-strewn set declaiming her lines in everything from a whisper to a shriek and all stops in between while jangling large metal nails, hurling a hefty wooden ladder this way and that, stripping n…
SOURCE: Backstage at 07:00PM on April 22, 2013