The Detroit race riots seem like fertile territory for heated conflict, but Dominique Morisseau’s witty “Detroit ’67” stays on simmer. The riots take a back seat, entering the action only through spoken exchanges and offstage sound effects, even though race relations are supposed to fuel the drama. In racially charged 1960s Michigan, Chelle and her brother, Lank, live on the “other side …
SOURCE: Backstage at 07:30PM on March 12, 2013