Snow flurries outside, steam heat within. Writer-director Yael Farber's transposition of Strindberg from a Swedish estate to a farm in South Africa's Karoo region on the eve of a storm is so painstakingly evocative that all worries about the latest publicity image " shades of blaxploitation, more Mandingo than Miss Julie " instantly evaporated. There's much of the same giddying power-shifts and sexual violence as in …
SOURCE: The Arts Desk at 04:15AM on March 12, 2013