It's not often operagoers leave humming the scenery, but that was the case Monday, when the Met hauled out Riccardo Zandonai's "Francesca da Rimini" from the vault. With neither a top-drawer score nor particularly memorable performances on hand, Piero Faggioni's lavish 1984 production stole the show. Dark...
SOURCE: The New York Post at 11:12PM on March 7, 2013