Dead Man SingingApproaching a new opera on CDby Gaëtan L. CharleboisI never go to an opera unprepared. I buy a CD, I listen to it over and over again, and study the libretto and the history of the piece and its composer. Operas, most of the time, speak for themselves by their very longevity - a reviewer, therefore, is relieved of judging the music and, instead, simply must judge its performance and the production.…
SOURCE: The Charlebois Post at 12:03AM on March 8, 2013