There are moments of theatrical magic strewn throughout Douglas Carter Beane’s new adaptation of Richard Rodgers and Oscar Hammerstein II’s 1957 TV musical “Cinderella.” Unfortunately, they have little to do with Beane’s ambitious but ungainly rewrite, which creates a musical at war with itself, failing to fuse snarky one-liners and self-consciously with-it anachronisms with the romantic…
SOURCE: Backstage at 07:33PM on March 3, 2013