Watching this William Inge play, which won the Pulitzer Prize in 1953, through the lens of 21st century America offers some interesting frisson between past and present. All the sexual repressions of the 1950s radiate palpably from the stage, but the overlay of a 2013 sensibility lets you see how gender performances [...]
SOURCE: The Feminist Spectator at 10:55PM on February 20, 2013