With The Convert, Danai Gurira proves that, in this shorter-is-sweeter era, three act plays can draw a packed house. Set in the 1890′s in what was then known as Rhodesia, now Zimbabwe, Gurira’s characters each grapple, in achingly believable ways, with the effects of white British colonial rule and the enforcement of Christian dogma. A talented young [...] Related StoriesFiddler o…
SOURCE: DC Theatre Scene at 04:56PM on February 20, 2013