An exhilarating sequence opens "The Grand Parade (of the 20th Century)," the flawed, if sometimes brilliant, ensemble-created work by the Massachusetts-based Double Edge Theatre. Now in a world-premiere run in the Arlene and Robert Kogod Cradle at Arena Stage, the production uses movement, clowning and circus arts to reflect on history, with a nod to the iconography of Marc Chagall. Read full article >>
SOURCE: Washington Post at 05:53PM on February 7, 2013