A Great Good Negro. When Kids' Plays Aim at Adults.
Is Black History Month dead in the bigger LA theaters? Why wasn't Tracey Scott Wilson's superb The Good Negro, now at the Hudson Mainstage, snapped up by a larger LA theater? Both 24th Street's Walking the Tightrope and MainStreet's Aladdin's Luck hope to attract adults as well as kids, but are they really envelope-pushers? READ MORE