A less traditional take on the flower girl in this 'Pygmalion'
When watching "Pygmalion," it's never easy to get "My Fair Lady" our of your head. Alan Jay Lerner took his lyrical ideas right from the George Bernard Shaw verbiage in most instances, which is not atypical, but when you hear Henry Higgins tell Eliza Doolittle that he's "grown accustomed" to her "voice and appearance," or when the Cockney flower girl starts to splutter with rage at her self-interested mentor, songs s…