The empty picture frames that hover in the background of the Washington Stage Guild's "Tryst" seem ever more apt as this suspense drama unspools. For starters, George Love, the con man character who sets the tale in motion, sees swindling as an art form. He may, in fact, be the son of a portrait painter. And as he busies himself with wooing and defrauding the spinsters of 1912 England, glances " appraising, covetous …
SOURCE: Washington Post at 05:48PM on January 8, 2013