UNFULFILLED WANTS David Mamet’s latest dramatic work, The Anarchist, begins as abruptly as it ends, but despite the jarring effects, there is a good reason for the sharpness of these moments. Jeff Croiter’s lighting cues punctuate the first and final scenes like black and white markers for what is otherwise grey, nebulous and "opaque" material, [...]
SOURCE: Stage and Cinema at 08:41PM on December 10, 2012