'P.S. Jones and the Frozen City' Riffs on Pop-Culture Epics
For a pile of excrement, the picture painted by “P.S. Jones and the Frozen City” is darn pretty. I speak literally, of course. Robert Askins’ new play opens in a “post post-apocalypse” world that has been divided into the pristine but isolated Frozen City, which floats in the air in a glass blimp, and the great unwashed land beneath it that’s covered in crap. This is the world of t…