Sadler's Wells, London: The second part of Anne Teresa De Keersmaeker's latest work inspired by French music from the 14th century begins in the darkness before dawn. A man arrives at the front of the stage and begins to howl and whistle in a vocal performance of anguished, elemental fervour that is almost aboriginal. As the other members of Rosas - augmented by the Antwerp early music ensemble, Graindelavoix - …
SOURCE: The Stage at 07:31AM on November 9, 2012