A white picket fence is all very well, but that emblem of middle-class aspiration can't shut out the past. And it's no defense against moral accountability. Those thoughts might fleet through your mind as you watch the Keegan Theatre's focused, well-paced production of Arthur Miller's "All My Sons." Capably directed by Susan Marie Rhea, the drama unfolds on a small-town, backyard set whose stretch of ivory-toned fenc…
SOURCE: Washington Post at 06:55PM on November 7, 2012