Curve, Leicester: Paul Kerryson's production screams rebellion from the outset, with a barrage of video stills that include a smiling Jimmy Savile with a smiling Enoch Powell. The rasp of the needle on the Dansette record player is a headlong plunge into the 1960s. It is malicious and delicious and it leaves you feeling brutalised, which would have pleased Orton enormously. Read the full review
SOURCE: The Stage at 08:17AM on November 7, 2012