Estelle Parsons Dominates "AdA," Two Caustic One-Acts at La MaMa
Gone is the ad-hoc weirdness that interestingly deformed nearly everything La MaMa has done since I’ve been reviewing theater in New York City (2005, admittedly, but frequently at the storied little East Village venue). “AdA” seems almost familiar, with one playwright (Neil LaBute) known to most theatergoing New Yorkers and another one (Marco Calvani) for foreign-theater buffs. The easy-to-swallow g…