Katori Hall's 2011 play takes on the difficult task of theatricalizing the haunting national trauma of the 1994 genocide in Rwanda by considering the children of Hutu militia born after their fathers perpetuated mass murders, rapes, and maimings against their fellow Tutsi nationals.  The young men around whom the play revolves, Innocent, Bosco, and [...]
SOURCE: The Feminist Spectator at 05:17AM on September 30, 2012