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This Room Isn't Real (But The Feelings Are) by Mark Blankenship

Why a director avoids realism in The Atlantic’s “Harper Regan” It’s easy to imagine a realistic production of Harper Regan, the new Simon Stephens play. As she travels from London to visit her dying father, Harper visits hospitals, bars, hotels, and her estranged mother’s house, and at every stop, she has an encounter that’s rooted [...]

SOURCE: TDF at 12:59PM on September 28, 2012

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