Red Dog Howls, which opened at the New York Theatre Workshop this week, isn't a well-made play. It has no real conflict. Crucial bits of information are held back in a strained effort to manufacture suspense. And the narrative depends far too much on the exposition that one character, repeatedly standing center stage, delivers directly to the audience. But, despite all of that, it is still an affecting piece of…
SOURCE: Broadway & Me at 07:28AM on September 26, 2012