Review: 'Cherry Docs' earnestly confronts bigotry in several forms
Tolerance is an ideal easily invoked in the abstract, but it seems to be losing ground when it comes to follow-through. In a particularly timely revival, “Cherry Docs,” David Gow’s 1998 two-hander at the Will Geer Theatricum Botanicum, advocates the hard work of emotional, spiritual and visceral transformation on all sides, without which racial animus can never be overcome.